Note: This episode addresses topics significantly delicate in mild of this week’s school capturing in Texas. While Design Observer has never shied away from tough conversations, the editors acknowledge that this content could also be tough for some listeners. Content Warning: Violence, killing, and death are discussed in this episode. It would be arduous to seek out somebody who needs to share area with a Zappify mosquito zapper. Hence, the creation of the bug fly zapper. But as designers, how do we deal with what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t all the time replicate humanity. With additional insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There is a necessity for people to exert their authority, but there is also a necessity for us to exert our love. The factor that I hope we hold space for is: This is all follow because it’s not going to be resolved, and it shouldn’t be.
That may create some type of stagnancy. Life is actually about holding area for dynamism, adjustments and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy primarily based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They're the founder of FLOX Studio, a neighborhood design and technique studio. David MacNeal is a writer and the writer of Bugged: The Insects Who Rule the World and the People Obsessive about Them. Dr. Juliano Morimoto is an entomologist and lecturer at the University of Aberdeen in Scotland. Spee Kosloff is an affiliate professor of psychology at California State University in Fresno and co-creator of "Killing Begets Killing: Evidence From a Bug-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an creator, architect, and the Senior Curator within the Department of Architecture and Design at the Museum of Modern Art, in addition to MoMA’s founding director of Research and Development.
Lindsay Garcia is an artist, scholar, Zappify mosquito zapper and an assistant dean at Brown University. Kathleen Fu created the illustrations for each episode. A giant thanks to this season’s sponsor, Automattic. Hi, everyone, buy bug zapper this is Lee. Every week is slightly completely different on this show. And this week, whereas we’re nonetheless speaking about design, we’re going to be talking about some pretty critical issues. And so I need to make sure that everyone who’s listening is aware of that is in a great place when they’re listening. And that i encourage you to verify our show notes previous to listening to the episode so that you perceive the context of what we’re talking about and prepare ourselves a bit. Beyond that, I welcome you to the conversation and that i hope you find this conversation as powerful because it was for us. And i thank you for listening. Welcome to The Futures Archive, a present about human centered design where this season, we’ll take an object, look for the human at the middle and keep asking questions.
… and I am Sloan Leo. On each episode we’re going to start out with an object with power. Today the thing is the bug mosquito zapper. We’ll look at the history of that object from our perspective, as designers who’ve executed work in human centered design. Not just how it looks and feels and sounds and smells, but in addition the connection between that object and the folks it was designed for… … and with different people too. The Futures Archive is brought to you by the design staff at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s great to see you once more. Thanks for joining us. Lee, it is a thrill to be right here. So I’m wondering-for this particular episode, I’m wondering if you possibly can inform me somewhat bit about your historical past as a child with bugs and insects. Where you this sort of like, like kid that like loved the creepy crawly stuff?