Note: This episode addresses topics notably delicate in gentle of this week’s faculty capturing in Texas. While Design Observer has by no means shied away from tough conversations, the editors acknowledge that this content may be tough for some listeners. Content Warning: Violence, killing, and death are mentioned on this episode. It would be onerous to find somebody who desires to share house with a Zappify mosquito zapper. Hence, the creation of the outdoor bug zapper zapper. But as designers, how will we address what lives and what doesn’t? On this episode of The Futures Archive Lee Moreau and Sloan Leo go deep on how human-centered design doesn’t at all times reflect humanity. With further insights from David MacNeal, Juliano Morimoto, Spee Kosloff, Paula Antonelli, and Lindsay Garcia. There is a need for people to exert their authority, however there can also be a necessity for us to exert our love. The factor that I hope we hold space for is: That is all practice because it’s not going to be resolved, and it shouldn’t be.
That may create some kind of stagnancy. Life is actually about holding house for dynamism, adjustments and cycles. Lee Moreau is President of Other Tomorrows, a design and innovation consultancy based in Boston, and a Professor of Practice in Design at Northeastern University. Sloan Leo (they/he) is a Community Design theorist, educator, and practitioner. They're the founder of FLOX Studio, a neighborhood design and technique studio. David MacNeal is a author and the writer of Bugged: The Insects Who Rule the World and the People Obsessed with Them. Dr. Juliano Morimoto is an entomologist and lecturer on the University of Aberdeen in Scotland. Spee Kosloff is an affiliate professor of psychology at California State University in Fresno and co-author of "Killing Begets Killing: Evidence From a Bug-Killing Paradigm That Initial Killing Fuels Subsequent Killing". Paola Antonelli is an author, insect zapper architect, Zappify mosquito zapper and the Senior Curator within the Department of Architecture and Design on the Museum of Modern Art, as well as MoMA’s founding director of Research and Development.
Lindsay Garcia is an artist, scholar, and an assistant dean at Brown University. Kathleen Fu created the illustrations for every episode. An enormous thanks to this season’s sponsor, Automattic. Hi, everyone, this is Lee. Every week is slightly different on this show. And this week, whereas we’re nonetheless talking about design, we’re going to be talking about some fairly serious issues. And so I want to ensure that everybody who’s listening is conscious of that is in a very good place when they’re listening. And i encourage you to check our show notes prior to listening to the episode so you understand the context of what we’re talking about and prepare ourselves a bit. Beyond that, I welcome you to the dialog and that i hope you discover this conversation as powerful as it was for us. And i thanks for listening. Welcome to The Futures Archive, a show about human centered design where this season, we’ll take an object, search for the human at the center and keep asking questions.
… and I'm Sloan Leo. On every episode we’re going to start out with an object with energy. Today the thing is the bug zapper for patio zapper. We’ll look at the historical past of that object from our perspective, as designers who’ve done work in human centered design. Not just the way it seems to be and feels and sounds and smells, but additionally the connection between that object and the people it was designed for… … and with different people too. The Futures Archive is dropped at you by the design staff at Automattic. Later on, we’ll hear from Vanessa Riley Thurman, a member of Automattic’s Designer Experience Team. Sloan Leo, it’s fantastic to see you once more. Thanks for joining us. Lee, it is a thrill to be here. So I’m questioning-for this particular episode, I’m questioning if you could inform me a bit of bit about your historical past as a child with bugs and insects. Where you this kind of like, like kid that like cherished the creepy crawly stuff?