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Officially, the Fast & Furious franchise includes nine feature films, with the tenth on the way, plus a spin-off, Hobbs & Shaw (2019), which did not please Vin Diesel at all. However, that's only area of the story: true fans know that the Gospel According to Toretto has spread through animated series ?Fast & Furious: Spies at Full Throttle (2017-2021)?, video gaming, an attraction in every the Universal theme parks and a couple of short films just for the very, very insiders.
The first of them gets the incredible title of The Turbo Charged Prelude for just two 2 Fast 2 Furious (2003) and is, well, a straightforward prelude to the second film, devoted to how Brian O'Connor (Paul Walker) manages to evade the authorities. from Los Angeles until landing in Miami. The producers' idea was to determine a kind of connective tissue between your first two installments and fill a narrative gap that, in the end, consolidated Brian because the absolute protagonist of the story, since Diesel did not want to return. A mere promotional material designed for the web ?hence its aesthetic, almost worth a Sisq� video clip?, although some North American cinemas showed it before 2 Fast 2 Furious to give the public a far more complete experience.
When https://www.fastxmovi.com/ won't find anyone defending The Turbo Charged Prelude for 2 2 Fast 2 Furious as an essential piece of mythology, things have become different when it comes to the second short. Los Bandoleros (2009), written and directed by Vin Diesel himself, introduces Tego Calder�n and Don Omar into the saga, two musicians turned actors who would be essential pieces in a few subsequent installments, especially Fast 5 (2011). Not only that, but it addittionally details what happened to the characters of Dom and Letty (Michelle Rodriguez) following the original film, in addition to recovering Sung Kang's Han, whose friendship with the paterfamilias have been established by the end of Fast & Furious: Tokyo Race (2006). A lot more than an interlude between movies, Los Bandoleros is a refoundation of the franchise, a fresh beginning where Diesel allowed himself to look at a far more poetic and relaxed tone, commensurate with the natural settings of the Dominican Republic (where he himself, a reggaeton enthusiast, insisted that ought to be set). It isn't strictly necessary that you see it in the next fast and furious marathon, but it responds to the authorial vision of the primary creative engine of it. Which makes it an interesting curiosity.
However, the story does not end there. Only probably the most dedicated to the reason know this, but there is a secret, semi-official film that, because of director Justin Lin's ability to slip under Universal's radar, can be viewed as area of the experience. From the certain viewpoint, sure, but take our word for this: the crime dramedy Better Luck Tomorrow (2002) traces the origins of the type Han Lue, also played by Kang (can you envisage any other actor in that role?). He and Lin have confirmed on multiple occasions that it is indeed exactly the same character, so there is no reason, other than the most obvious and boring copyright issue, to exclude her from canon. Actually, their presence transforms this cinematic universe right into a more expansive and richly nuanced place: it's funny to think that while Dom and Brian were meeting in downtown L.A., the characters in Better Luck Tomorrow were living their own ordeal just a few feet away. kilometers of distance.
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The story of how this indie film found its way into F&F is fascinating enough to miss. When screenwriter Chris Morgan heard that Universal was open to ideas for a third film in the series, he showed up at his offices with a pitch about how exactly Dominc Toretto decides to go to Japan to investigate the murder of an old friend. Since Diesel had not been yet interested in time for what would become his family ? he only wished to make a brief final cameo after the studio gave him the rights to The Chronicles of Riddick (2004) ? Morgan contacted Justin Lin to imagine a fresh protagonist. The director thought it would be a great opportunity to cast an Asian-American actor because the franchise's new hero, however the producers flatly refused, arguing that someone like Lucas Black could have more potential at the box office. Lin reluctantly agreed, asking them to at the very least let him revise the script to make it less "offensive and outdated" (those were his words).