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PRE-PRODUCTION NOTES & CASTING BIBLE

DIRECTOR: KENJI KUROSAWA

PROPERTY OF THE HIGAN ACADEMY FILM APPRECIATION CLUB!!!

(DO NOT TOUCH, READ, OR BREATHE ON WITHOUT PERMISSION!!!!!!!!!!!)

FADE IN
INT. FILM APPRECIATION CLUB ROOM - NIGHT

The hum of the VCR is the only soundtrack. The air smells like dusty film stock and lukewarm instant ramen. I should be the last person in the school - I still can't believe that I'm not alone in this anymore. It's kind of relieving. With how adamant the Student Council is about all of... this, I expected no one to want to see things the other way. The right way.

This isn't some misguided project. I know that. This isn't another 'Coach Tanaka chucks dodgeballs at first years for 2 hours', or 'Zombie Jesus shoots prop pistols at extras who are only here for the free food'.

This is the big one. My magnum opus.

The story of a city on the brink, a demonic invasion from another dimension, and the band of high school misfits who have to save it all! It’s got action, horror, drama, maybe even a little romance if I can storyboard it right! Definitely some, if Suishi-san gets her way.

It’s perfect.

Pre-production is 90% of filmmaking. You don't just point a camera and yell 'Action!' You need a script. You need a vision. And most importantly, you need to know your cast. Every quirk, every motivation, every strength and weakness. You have to know who can carry a scene, who’s just a background extra, and who’s a problem trying to sabotage the whole production.

The problem this time? The higher ups - the Student Council. They want to pull the plug. They've got their own script. One with a different ending, where the magic dies and the credits roll for good. They want to cancel the thing that makes this production possible.

They don't understand. You can't just 'cancel' a film this important. Not when the leading lady is this perfect.

Every production has studio interference, Director! We just have to make a movie so good they can't ignore it~! (☆▽☆)

She's right. As always. The student council is focusing on the negatives - the deaths, the risks, the change. But none of that matters to me. If this goes right, if the Nurarihyon gets his way... I'll never have to say goodbye to her again. And it's good for everyone else too - they won't have to see their Idolons fade either!

Who the hell would want to be 'normal' again after seeing all of this? I'm glad I don't have to do this all alone, at least.

Right - so, first step: Casting.

A director has to know his talent. I've been observing everyone caught up in this mess - all the key players, the supporting roles, and the extras. I don't know which ones have Idolons, though I'm sure my guesses will have some pretty decent accuracy. What's more important than that is their role. I need to know who’s a hero, who’s a villain, who's reliable crew, and who's getting left on the cutting room floor. I don't know them all perfectly, of course, but I have enough of a synopsis to make some decisions.

Let's see who's ready for their close-up.

THE CAST

The leads. The heroes. The faces you put on the poster. These are the people with 'main character' energy, the ones the camera is naturally drawn to. Or, at the very least, the ones that can handle a simple scene without exploding under pressure.

Logline: A charismatic transfer student with plot armor thicker than a concrete bunker must lead a ragtag group of misfits to save the city.

Head Shot: Shu Jinko

Archetype: The Shonen Protagonist.
Director's Notes: He’s got the look. The camera loves him. Every shot he’s in feels like a hero moment, even if he’s just buying a soda. That's the problem though. No grit, no texture. He’s a flawless protagonist, and flawless is BORING. Audiences need conflict! Internal struggle! He's all external. We need to dirty him up! Give him a dark past, a secret addiction, a close brush with death - something!
I didn't think anyone could eat that much Yakisoba Pan in one sitting without getting sick... (o_o;)
Verdict: Cast. As the lead, reluctantly. But his character needs a twist or some trauma in the second act!

Logline: A pint-sized genius must learn that some problems can't be solved with money or books when she's thrown into a world of demons, gangs, and teenagers!

Head Shot: Meliaya Mihama

Archetype: The Child Prodigy
Director's Notes: The "genius kid" trope is always a winner for a certain demographic. She's got that precocious energy down. Dealing with child actors is a hassle with labor laws and all that, but since my entire cast is minors, it's not a unique problem. She's cute, but there's an unnerving level of calculation there. Good for a character, tricky for a collaborator.
She's so little! It's like having a real-life anime character on set! Can we give her a magical talking animal sidekick? Pleeease? ( ^ ω ^)*
Verdict: Cast. Could easily headline that magical girl series I've been storyboarding.

Logline: In a forbidden ward of the city, the 'Wind Demon' rules the streets with an iron fist, turning bullies into allies one brawl at a time and protecting the weak from the shadows.

Head Shot: Momofuku Chikata

Archetype: The Sukeban
Director's Notes: Now this is a protagonist! A classic anti-hero. She's got the look, the attitude, and a built-in gang for cheap extras. The tough-girl-with-a-soft-spot is gold. We can do a whole redemption arc or a gritty urban action flick. The visual of her leading a gang through the streets... KINO! She's got that raw, unpolished energy you can't fake.
She's kinda scary, but also really cool! Like a lady version of the Punisher, but less edgy and more power of friendship! Think we can give her bat a 'BONK!' sound effect in post? (☆ω☆)
Verdict: Cast. Lead role material for a new urban vigilante franchise. I'm already storyboarding the sequel!

Logline: The daughter of a Russian mob boss tries to live out her anime-inspired high school fantasy... and ends up running her club like a crime family!

Head Shot: Alyona Rodionvova

Archetype: The Rich Bitch
Director's Notes: She’s perfect for a villain role, or a snooty princess who gets a reality check. The accent, the "ojou-sama" attitude, the casual threats... it's all there. The issue is budget and control. Piss her off and the FILM APPRECIATION CLUB!!!'s funding gets cut. She already tried to commission some propaganda film from me... I'll keep her number, just in case I get desperate for cash.
She's like a villain from a James Bond movie! She probably has a fluffy white cat to stroke menacingly! ...Or maybe a bear! ...A RUSSIAN BEAR! \(º □ º l|l)/
Verdict: Cast... with caution. Working with her is a high-risk, high-reward situation.

Logline: Plucked from the brutal world of illegal bare-knuckle boxing, a British bruiser must navigate the even more brutal politics of a Japanese high school.

Head Shot: Archibald Florence

Archetype: The Muscle
Director's Notes: YES! Look at the 80's stars - Arnold, Stallone, Dolph. They're all tough and big as hell! This guy is a walking special effect. We can have him get thrown through a wall, lift the back of a car up like in Twins, the whole nine yards. No CGI or wire trickery needed! Could even fit into some culture-clash comedy, if I get sick of using him in action.
...D-don't tell Kenji-kun, but he's kind of scary. He's just so BIG! Though if we ever make a kaiju flick, we could just put him in the rubber suit and be done with it. (・_・;)
Verdict: Cast. I don't care if a 2-meter british guy built like a tank doesn't mesh well with a Japanese audience. He's the closest I'll ever get to a prime Schwarzenegger.

Logline: A cynical street racer with a talent for illegal mods gets roped into a high-stakes game where his only ally is his own tricked-out motorcycle.

Head Shot: Takumi Wright

Archetype: The Greaser
Director's Notes: He's got the attitude and the skills. Every action movie needs a good wheelman, and you can fit that niche in stuff like heists too. He can do his own stunts and probably soup-up a beater into something decent for a chase scene. A bit of a smartass, but if I can keep him to the script that shouldn't really matter too much, right? An actor who can double as the vehicle department is a budget-saver.
Not really into racing movies. Vanishing Point was okay, I guess. This guy is really annoying to talk to... Huh? What do you mean 'hypocritical'!? (¬_¬")
Verdict: Cast. At worst, he's a stunt driver. At best, I need a mechanic for 'Pedal to the Metal 2'. The first one bombed, since all I had was a golf cart...

Logline: A lonely and obsessive girl's dark love for the school's most popular boy corrupts every aspect of her life, and slowly encroaches on those around her.

Head Shot: Ai Suishi

Archetype: The Yandere
Director's Notes: SHE'S PERFECT!!! Seriously, can you have a better horror villain!? The way she moves, that thousand-yard stare, how she mumbles under her breath and twitches when someone looks in Jinko-san's direction... it’s so unsettling! We won't need any special effects to make her scary, just point the camera and shoot! We could build a franchise around her!
She's the girl version of Abe-san. Her tits are awesome, but she's way too obsessive and creepy to hang around... Luckily, my Kenji-kun won't have to deal with her too much! Thanks for taking the bullet, Mr. President! ( ̄▽ ̄)ゞ
Verdict: CAST! She's perfect for my Ring fan film! Maybe if she finally takes a shower and lets me do her makeup I'll concede to that romcom she wants with Jinko-san.

Logline: The scion of an ancient line of martial artists must learn the martial AND mercantile arts in order to reclaim her family's honor and lost fortune.

Head Shot: Liú Měi

Archetype: The Martial Artist
Director's Notes: The kind of martial arts star you build a franchise around. She could be my bruce lee, if I decide to sell out and shit out nothing but kung-fu movies. Her movements are so clean we could shoot the fight scenes in slow motion and it would still look good. Plus her family deals in weird mystical artifacts, that's a goldmine for plot hooks. Her biggest fault is that it'd be a bitch to find anyone who could believably fight her.
I like Jackie Chan more than Lee, so I'm rolling with that for the analogy. But yeah, this girl's crazy! We don't even need wires for those leaps! We could have her kick a door in, or crush a watermelon with her thighs. HI-YAH! (ง'̀-'́)ง
Verdict: Cast. Perfect for a kung-fu flick. Could probably even serve on crew as a choreography instructor.

Logline: A hot-blooded martial artist with a talent for getting into trouble because of her constant search for friendly spars!

Head Shot: Sayaka Koujin

Archetype: The Genki Brawler
Director's Notes: High energy, great visuals. She’s all action. The audience would love her. She’s got that competitive fire that makes for great on-screen rivalries. Pair her with Liu-san and you’ve got a classic martial arts duo. Only downside is her tendency to put new cast members in a headlock as a greeting...
She's so full of energy! Gives me 'girl next door' vibes, if the girl next door could make a bodybuilder tap out... She's cool! (b^.^)b
Verdict: Cast. She and Liu-san could carry a Bloodsport by themselves.

Logline: A brilliant but disagreeable high school chemist believes he can transcend human limits with his formulae, but his experiments unleash something far more monstrous than he ever intended! (Director Note: Remind me to ask about a zombie serum.)

Head Shot: Kazu Morino

Archetype: The Mad Scientist
Director's Notes: The "mad scientist" is a cornerstone of B-movie horror. He’s got the look and the complete disregard for ethical boundaries that you need for the role, and you just can't find that outside of a highschool or the Kurobane Group labs. We can fill a set with bubbling beakers and weird colored liquids and he’d be right at home. Just, uh... don't let him mess around with the refreshments, I don't want him doping the other actors...
He's mostly into chemistry, so no Island of Dr. Moreau... Maybe he'd go for a Re-Animator thing? That's a good one! (¬ ´ཀ` )¬
Verdict: Cast. I was thinking of doing a Frankenstein adaptation for the Culture Festival, and he'd do great in that.

Logline: A child mastermind leads an army of neighborhood kids in a rebellion against the tyranny of adults.

Head Shot: Cato

Archetype: The Rebel Leader (Pint-Sized)
Director's Notes: The kid's got charisma, I'll give him that. He's a natural leader. Getting a whole crew of child extras to work for free is a producer's dream. The "kids vs. adults" angle is great for younger audiences too. He’s got that Macaulay Culkin energy, with a splash of sociopathy. Just need to make sure he doesn't unionize the other kids...
CREEPY!!! He's got Children of the Corn energy! We should not be dealing with this kid!!! Σ(°ロ°)
Verdict: Cast. He already starred in a mini-documentary I did last summer.

Logline: A perfectionist struggles with the expectations of her family, descending into a sadomasochistic obsession to create the ultimate masterpiece, no matter the human cost.

Head Shot: Sumi Ayaka

Archetype: The Artist.
Director's Notes: She has this intense, almost predatory, artistic drive. It's kind of scary how she's got a whole club full of goons at her beck and call... She understands the importance of suffering for your art. And while we disagree what defines 'art', I have to respect her for being true to her craft.
Her art is crazy good, and she's a hottie! But you shouldn't get involved with sadists, Director... I don't like her. ( ` ω ´ )
Verdict: Cast. Probably a villain role. If I ever get around to working on that animated film, I might commission her to help with the workload...

Logline: A prodigal swordsman, broken by a family tragedy, must reforge the broken blade in his heart.

Head Shot: Matsunaga Kei

Archetype: The Fallen Samurai.
Director's Notes: He's got that stoic, traditional hero vibe. A natural for a samurai flick. He carries this heavy atmosphere with him, a sense of loss that the camera would pick up instantly. A lot of pathos to work with. He reminds me... a little too much of myself before I started making movies. Quiet. Empty. Other than Kusanagi-senpai, he's probably the one I can relate to the most.
He's like a real samurai! Cool! Do you think he can do the thing where he cuts the guy and they don't bleed until he sheathes his sword? (o.o)
Verdict: Cast. Best for historical dramas, but could probably fill any role that demands quiet intensity.

Logline: In a city gone mad, a leather-clad daredevil with a souped-up motorcycle becomes the last line of defense against corporate thugs and street gangs.

Head Shot: Fumiko Furukawa

Archetype: The Daredevil
Director's Notes: A budget-saver, this one. She can do her own stunts, fix the camera equipment if it breaks, and she's got her own vehicle for chase scenes. She gets it. She stops by the clubroom at least once a week to watch Westerns. She appreciates the classics! If she needs decal work done, she should let me know.
She's super, duper hot! Bad girl with leather and spikes... Yes!!! (♥ω♥)
Verdict: Cast. Her role is functionally identical to Wright-san's, but she's got more star power.

Logline: A fashion-forward mountain priestess must defend her city from a supernatural plague, armed with ancient charms, divine insight, and her ultimate secret technique: running away!

Head Shot: Kannae Jinguuji

Archetype: The Gyaru Exorcist
Director's Notes: A modern shrine maiden? Like, uh... Oh, The Exorcist, but set it in Shibuya! You've got this super-fashionable girl who also happens to be a genuine ascetic. We could build a whole 'Yokai Hunter' franchise around her! The whole 'run away' schtick is a problem for an action flick, and the constant pessimism is a real drag on a set, but at least she doesn't throw a tantrum when redoing takes.
Japanese Ghostbuster! Right? I mean, her fashion sense is a lot better than Venkman, but still! We'll need a new catchphrase though, 'I ain't afraid of no Yokai' doesn't got the same ring to it... "( – ⌓ – )
Verdict: Cast. Lead role in a supernatural horror series. We'll workshop the 'no-fighting' thing in rehearsals.

Logline:  The ghost in the machine who gave a broken boy a reason to live.

Head Shot: Tokiwa-Chan

Archetype: The Ghost. The Lover. The Leading Lady.
Director's Notes: She’s the star. The whole reason any of this matters. Every scene is built around her. Every shot is for her. Without her, the film is just empty frames. She’s the color, the sound, the heart. She’s perfect.
Verdict: The Star of the Show. Always.

THE CREW

The essential behind-the-scenes talent. The producers, the PAs, the tech wizards. They might not get the spotlight, but the film falls apart without them. While I harp on the acting talents, it wouldn't be far off to say that these individuals are far more important.

Logline: The rumored ring leader of the marching children returns to the city that exiled her, warped by her experience and searching for the truth.

Head Shot: Renka Cho

Archetype: The Weird One
Director's Notes: She's alright in her own way, but the weirdness is less endearing and more annoying to work around. I could slap her in any scene, maybe a maid for that Clue adaptation I had in the works, but there might be some issues considering the whole 'she might kidnap kids' rumor that's going around... Well, Satoru-chan knows her a lot better than I do, so I'll probably just default to her judgement. There are worse Census Club members, at least...
We caught her drawing once, when she didn't realize we were filming. They're good for an amateur, but kinda give me the creeps... It's like Tim Burton, but with more tentacles and blood... (◎_◎;)
Verdict: Crew. Putting her in front of the camera is probably a bad move, but she can still do stuff behind it. Organizing the set, cleaning up after shooting, handling the catering... A good PA is worth their weight in gold!

Logline: A reclusive super-hacker known only as 'Dawn' is pulled from the digital world into a conspiracy, forced to use her skills to save the friends she never thought she'd have.

Head Shot: Belladonna Sola

Archetype: The Autist
Director's Notes: She has a very distinct, quiet presence. Not leading lady material, but for a supporting role as the quirky tech expert who delivers key exposition from behind a bank of monitors? That could work. She barely speaks, which saves time on dialogue rehearsal. I have no idea what she's really like, though. She attends classes maybe once a week, and with my job at Morinaga Videos, I don't get much time to actually talk to her.
Cute autistic girl! Maybe it's because I'm part robot, but I kind of want to get to know her more... Think she wants to watch The Matrix, Director? (⁄ ⁄•⁄ω⁄•⁄ ⁄)
Verdict: Crew. She's too withdrawn for a major role, but she could handle post-production, editing, or even translating my films for online distribution.

Logline: A gentle giant who just wants to tend his garden is constantly mistaken for a fearsome delinquent, forcing him into countless hijinks and wacky misunderstandings!

Head Shot: Takaishi Kuroda

Archetype: The Gentle Giant
Director's Notes: The subversion of expectations is classic. A huge guy who's secretly a softie. Great for comedy and romance, and when he finally does get serious and fight, the impact will be huge. He's also a bit of a pushover, which means he's easy to convince to help carry heavy equipment. Big plus!
He's big and strong, but he loves flowers! It's sweet. (´。• ᵕ •。`)♡
Verdict: Crew. He's pretty easy to pressure into doing grunt work, and supplies plenty of flowers for sets and produce for the refreshment table.

Logline:  A girl who has spent her life trying to be invisible is pulled into the world of yokai and shadows, discovering that the one place she can finally be seen is the one place she shouldn't be.

Head Shot: Satoru Rin

Archetype: The Background Character
Director's Notes: She's got that "everygirl" quality, which is a nice way to say she's a background character. That's a useful skill for a Production Assistant, but it doesn't pop on camera. You need a certain energy to hold a scene. She's a key part of our little trio, though. Reliable, and knows how to get things done without drawing attention. Hell, if we play our cards right and stick close to her, the student council might never discover we're filming for the other studio...
She can get basically anything if you give her a few days! She even got us prop guns for the Damnation of the Dead movies! But she has those creepy tapes... they give me the shivers. (・_・;)
Verdict: Crew. She doesn't capture the screen enough for a major role, but she's essential backstage. Quartermaster of our little rebellion.

Logline: Behind the mask of a perfect, charming student lies a cold-hearted egoist who sees people as pawns in a game of chess.

Head Shot: Arakawa Itsurō

Archetype: The Manipulator.
Director's Notes: Every production needs a producer! The guy who pulls the strings, makes the deals, and ensures the project gets made, no matter who gets hurt. He’s smart, dangerous, and completely untrustworthy - but his grudge against Shu and the student council puts him firmly on our side. For now. He can handle the politics, that way I can stick to the art.
He's really smart, but he gives me the creeps! Everything about him feels too polished over and practiced... (ー_ー;)
Verdict: Crew. Executive Producer, specifically. I might have to compromise occasionally with some propaganda films, but I'll cross that bridge when the time comes...

THE REJECTS

The ones who just don't fit the vision. The antagonists, the liabilities, the ones who would read the script and demand a rewrite. Too dangerous, too perceptive, or just plain wrong for the part. I can't let them get too close. Anyone that poses a threat to her has to be kept as far away from the camera as possible.

Logline: A dojo prodigy trades her family's ancient sword for Shibuya fashion, discovering that the sharpest blade is a keen eye for the human heart.

Head Shot: Madoka Onguuchi

Archetype: The Gyaru
Director's Notes: She has a fantastic screen presence; you can't fake that kind of natural charisma. The "rebel with a cause" angle is classic, but that her perceptiveness is a production nightmare. She sees through people. And if we spend too much time together, she'd see through me. I'm playing a role every day, and she's the kind of person who could spot the actor behind the character. Too much of a risk, especially since she's on the Student Council.
She's so pretty and fashionable! Can we at least do a Clueless and have a makeover montage before we avoid her? Please!ヽ(♡‿♡)ノ
Verdict: Reject. Too perceptive. Her people skills are a liability to the real production happening behind the scenes.

Logline: Haunted by his past, a hardened delinquent with a heart of gold becomes an unbreakable shield for the friends he won't lose again.

Head Shot: Ran Nejima

Archetype: The Delinquent
Director's Notes: He's got that intense, quiet tough-guy thing down. Great for a supporting role, the muscle who gets a single, awesome fight scene. But he's scary! And he's got this loyalty to Jinko-san that's almost... fanatical. You can't direct that. He wouldn't take a fall for a scene unless Jinko-san was the one doing the asskicking... The emotional core is there, but he’s not an actor. He’s a bodyguard at best.
There aren't that many delinquent movies - here or in the states. Some anime stuff, but we haven't really dipped into that yet... Oh, oh, have him do the delinquent face! 'Huuuuuuuh?' Like that! ( `д´)
Verdict: Reject. Too intense. He'd probably break the camera if he thought it was looking at him wrong.

Logline: A detective prince finds her world of logic and reason conflicting with reality when she's drawn into a supernatural case that defies all rational explanation.

Head Shot: Yae Zennami

Archetype: The Detective
Director's Notes: She's too smart for her own good. Great for a cerebral thriller, but my audience wants car chases and monster fights. She’d poke holes in my scripts in a second. Her whole “knows more than she lets on” vibe is classic, but it's hard to write for if you're not a genius yourself. And, you know, I don't want her to figure out the connection between me, Satoru-chan, and Arakawa-kun...
Our favorite Columbo episode was the one with Fisher Stevens as the killer! Which one does she like? ...Eh? She's never watched Columbo... ( °ヮ° ) ?
Verdict: Reject. She'd be perfect for a detective series, but she's too dangerous to let close to the real script.

Logline: After his childhood love is driven to suicide, a once-kind boy descends into a vicious cycle of violence, hunting the one responsible through the city's dark underbelly.

Head Shot: Itsuki Kusanagi

Archetype: The Bereaved
Director's Notes: His story... it's a perfect setup for a revenge thriller. Death Wish, The Crow... it's powerful stuff. But it's too real. That's not a character. It's a wound that's still bleeding. I know what it's like to build your world around a ghost. My crutch helps me create. His just makes him destroy. Bringing that kind of raw pain onto a set would be... wrong. Exploitative.
A-am I the only one seeing this? Director, you guys are clones! White hair, weirdo personality, depressed over dead girls... Shit, I don't watch much Nic Cage - QUICK, SOMEONE RENT FACE/OFF SO I CAN FIGURE OUT WHICH ONE DIES!!! ( ; ω ; )
Verdict: Reject. Some stories hit too close to home.

Logline: A terminally online outcast must navigate the horrific world of demons, crime, and... high school!!!

Head Shot: Tetsuya Abe

Archetype: The Creep
Director's Notes: Look, every story needs a villain, but this guy... he’s not fun-to-hate evil like Violator from Spawn. He's unpleasant. His vibe would poison the whole set. There's no redeeming quality to work with, no tragic backstory the audience can latch onto. He's just a creep. I feel bad for him, but I wouldn't want him anywhere near my cast.
Eugh... Let me guess, he really relates to the protagonist from Taxi Driver, right? Thinks Fight Club is the latest masterpiece of our time? Let's not work with him, Director. He might give my camera a virus... ( T _ T )
Verdict: Reject. He has a face for radio and a personality for solitary confinement.

Logline: The ruthless heir to a corporate empire must navigate a shadowy world of backroom deals and supernatural threats to seize control of the city from his tyrannical father.

Head Shot: Reiji Kurobane

Archetype: The Corpo
Director's Notes: He's got the "slick corporate villain" look down pat. The problem is, he is a slick corporate villain, or close enough. Working with him feels like making a deal with the devil. One minute you're shooting a film, the next he owns the rights to your soul via some footnote in his contract. As for the guy personally, I don't really know anything about him - it's hard to get to know someone like that, considering how influential his family is.
He's like the bad guy from a cyberpunk movie. No, not Bladerunner, unless you count Tyrell as being like the overarching villain that gets killed by his own creation. I was thinking more Robocop... These are harder to write than you think, okay? (¬_¬;)
Verdict: Reject. PR nightmare for the both of us. He can call me if he needs someone to shoot a commercial for his company or something though.

Logline: An armless heir to a demon-hunting clan reclaims his birthright by stealing the power of the Oni that maimed him.

Head Shot: Tomaki Warumachi

Archetype: The Crippled Badass
Director's Notes: The concept is metal as hell. A guy with ghost arms who fights demons? Love it. But the practicalities... how do you make your lead look imposing when he can't even open a door without help? The VFX budget for the arms alone would be insane, or we'd have to shoot entirely in the idea world... It's a great high-concept pitch, but a nightmare to actually shoot.
I like the necklace! Maybe we could use him in a shark movie? ( ╹ -╹)?
Verdict: Reject. The lack of arms is a real deal breaker. Maybe he could be a stunt double for a dismemberment scene?

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Pub: 17 Sep 2025 08:22 UTC

Edit: 17 Sep 2025 08:47 UTC

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